The Art of Iranian Tiles: Recreating Authenticity, Criticizing the Times

Nature of the Works:

Reza Kazemi’s works are a combination of tiling and painting; paintings that combine the visual and structural features of tiles with oil painting. Using special techniques of fixation and finishing, he transforms these paintings into decorative tile paintings.

A Look at the Art of Tiling:

He emphasizes that his works are a religious tribute to the historical art of Iranian tiling and, inspired by Iranian architecture and tiling, also displays social and cultural criticism. The cracks, fractures, and intentional spills in his works are reminiscent of the destruction and neglect of this art in the past and present.

Artist’s Intervention in the Works:

By selecting specific sections of tiled buildings and adding changes, Reza Kazemi defines the boundary between recreation and artistic creation. In his view, choosing the sections that have the greatest visual impact plays an important role in the success of the work.

Connection to History:

The artist considers the Safavid period to be the most inspiring period of Iranian tile work and believes that the splendor and diversity of the works of this period, especially in Isfahan, are endless sources for the creation of new works.

Critical Perspective:

In his works, the destruction of tiles is a metaphor for the destruction of Iranian cultural identity and authenticity. In this way, he tries to warn people and officials and attract them to the value of this heritage.

Improvisation:

The process of creating these works also includes improvisation. He presents the audacity of intentional destruction and reconstruction of the paintings as part of his creative process.

International Reception:

The artist is impressed by the better reception of Iranian works by foreigners than by his compatriots. He believes that the value of Iranian art is better understood abroad.

Summary:

By combining traditional tiling with modern painting techniques, Reza Kazemi creates decorative works that are not only beautiful but also carry critical and cultural messages. By taking a deep look at the history, architecture, and tiling of Iran, he tries to give this art a new identity and encourage his audience to reconsider cultural and artistic values.